Insights
Mid-Shoot Fixes: Why VFX Problems Arise
Many VFX issues don’t arise in post-production—they start long before that. Not because of poor artists or subpar technology, but because crucial questions were never truly resolved before filming began. And that’s exactly what gets expensive. Very expensive. Because as soon as a problem becomes apparent “mid-shoot” and VFX has to be integrated on set, the effort, stress, and costs multiply within a matter of hours.
On-Set VFX Supervision: Responsibilities and Value on the Day of Shooting
An on-set VFX Supervisor is not hired to comment on problems. They are hired to prevent those problems from existing in the first place. Their real value is not measured during the shoot itself, but weeks or months later during post-production: iterations that never become necessary because the plate was captured correctly from the beginning; shots that do not need to be “saved”; reshoots that never happen because the material already works technically and creatively.
VFX Feedback Loops: Why They Cost More Than Rendering
The most expensive thing in VFX post-production isn't rendering. It is undefined feedback.
That is the observation I would draw after many projects as a producer — and it often surprises people. When productions calculate post costs, "feedback" doesn't appear anywhere as its own line item. There are line items for rendering, for artist hours, for software licences, for storage. There is no line item for "correction rounds that run without a clear note" — even though in most projects that is the single biggest cost.
